GIVE ME A GREAT BAD GUY, I'LL GIVE YOU A GREAT MOVIE
WHY DO WE WE LOVE THE ANTI-HERO? When people walked out of THE SILENCE OF THE LAMBS, did they talk about Clarice Starling or Hannibal Lecter? Why did we love the Corleone family or Tony Soprano? Who wants to watch a series about a high school chemistry professor who turns to cooking methamphetamine, destroying the life of a former student and his entire family during his greedy ascendance? Why is it the most memorable good guys are half bad?
INSTRUCTOR: JAMES DALESSANDRO
At age 23, James founded the Santa Cruz Poetry Festival, the nation's largest literary event, with Ken Kesey and Lawrence Ferlinghetti. An alumnus of the UCLA Writing Program, Dean Richard Walter called him a "sensational writer," and Screenwriting 434's Lew Hunter said "he is one of the four or five best screenwriting teachers in the world." He's published two #1 National Bestsellers: "1906" A Novel," which Brad Bird may direct before James dies, and "Citizen Jane" which was developed at CBS and Court TV before winding up as Hallmarks only true crime movie. He is the screenwriter of both. His musical "27" - about the musicians who created the Counter Culture- currently draws sell-out crowds in Las Vegas. He co-created the new Stan Lee series "Restless," is co-creator and Executive Producer of "Duality" for Starlings Entertainment, and co-creator of the series "Petrosino" with Tom Fontana, based on James feature Playboy article. He lives in San Francisco. His previous pitching seminars at Expo have all been SRO.
For Writers In All
Medium of Story